Looking at Othello as a Tragic Hero Essay example

Looking at Othello as a Tragic Hero Killing myself, to die upon a kiss. Othellos death brings a sense of justice to the play, one of the main forms and conventions of a tragedy. But if Othello is a tragedy then Othello must be a tragic hero. Traditionally a tragedy follows the downfall of an individual who is usually high up in society (such as a king). This downfall is triggered by a fatal flaw in the tragic heros character. During the play the audience must have many different feelings towards the hero, from respect to anger and maybe even pity. These may also turn to terror, as people close to the hero are hurt. Fate is seen to be predetermined and ensures that justice is seen to†¦show more content†¦Their use of racial comments such as Thick-lips and Old black ram imply that a black man is not a common sight especially of such a high rank. These racist images of Othello do not provide very good pictures for the readers and almost turn us against him. However in the next scene a very different version of Othello is shown. Othello is seen to be Hotly called for by the duke leading us to believe that he is a very important person. He commands respect from noble men like Montano and the Duke, suggesting that Othello is a noble man. Shakespeare then continues to build Othello up. We are shown how many people care for and respect the moor, for example when Othello is sailing to Cyprus Montano, Cassio and Desdemona are all concerned for his safety during the storm. When Cassio reaches the shore he begs the heavens to Give him defence against the elements implying his wish for Othello to arrive safely. This shows that many people look up to him and respect him. From this we can see that Othello is an honourable and respected man. He can sort out problems quickly and efficiently and he is confident that his services to Venice shall out-tongue his complaints. He believes that the Duke will be on his side because of his rank, so it does not matter what Brabantio has to say. If Othello is a tragic heroShow MoreRelatedOthello : An Aristotelian Tragedy And Tragic Hero1604 Words   |  7 PagesOthello, an Aristotelian Tragedy and Tragic Hero When reading a story, specifically a tragedy, what stands out? Tragedy often enables its audience to reflect on personal values that might be in conflict with civil ideas, on the claims of minorities that it neglected or excluded from public life, on its on irrational prejudices toward the foreign of the unknown (Kennedy Gioia, 2103, p. 857). Readers feel sympathy for the characters, especially the tragic hero. Othello, the Moor of Venice isRead MoreOthello is Not a Tragic Hero Essay1481 Words   |  6 PagesOthello has been described as one of William Shakespeare’s most popular plays because the play focuses on its themes of good and evil, military, politics, love and marriage, religion, racial prejudice, gender conflict, and sexuality; but the controversy and debate surrounding Othello is â€Å"Why is Othello a qualification for a tragedy?† Most readers are aware of the many famous deaths or acts of death within the Shakespearean plays. And when the main characters die in Shakespeare’s plays, indeedRead MoreOthello, By William Shakespeare Essay1203 Words   |  5 PagesDramatic play entitled Othello is an unusual story full of jealousy, dark misunderstandings, lies, and regrets. Following Aristotle s definition of a true tragedy, where does the tale of Othello fall? Is Othello too dramatic too be considered a tragedy or does it barely fall along the lines of tragic? Shakespeare s innovation with poetry and dramatic plays have been recognized by critics and playgoers throughout the centuries (Lee,1899). The Bard s play entitled Othello, is among some of the mostRead MoreThe Tragedy Of Othello By William Shakespeare1141 Words   |  5 Pages2 Hr 16 December 2014 Othello Essay The Tragedy of Othello The renowned play of Othello was written by William Shakespeare in the 17th century. The drama follows the life of Othello, a well-respected and admired Venetian general, and the lie he gets tangled up in. Othello is deceived by his â€Å"trustworthy† friend, Iago, who confidently convinces Othello that his honest wife, Desdemona, committed infidelity upon him with his honorable lieutenant, Cassio. At the start, Othello doesn’t quite believe IagoRead MoreTragic Hero in Othello by William Shakespeare1306 Words   |  6 Pagesprojecting. The entire play of Othello conveys a motion that of a Shakespearean Tragedy. Firstly, the plot of a Shakespearean tragedy dictates that there will be multi-action and the culminating of one tragic hero. In Othello, the multi-action takes place between Othello, Desdemona, Iago, Cassio, and Roderigo and how their stories intertwine. The plot structure usually leads to or starts with the hero making a great error in judgment, which leads to his downfall. Othello makes the misjudgment in trustingRead MoreThe True Nature Of Shakespeares Characters In Othello1546 Words   |  7 PagesThe True Nature of William Shakespeare’s Characters in â€Å"Othello† Ever since it’s creation over four centuries ago, William Shakespeare’s classic tragedy â€Å"Othello†, has reigned as one of the greatest play’s of all time. Being widely studied and analyzed, there should be no question as to why this piece has remained so relevant, even within the twisting and turbulent times of the 20th century and beyond. With copious amounts of today’s youth becoming caught and obsessed with the virtual life of socialRead MoreHeroes and Villains: Iago and the Extent of Human Potential in Shakespeare’s Othello1646 Words   |  7 PagesThe character of Iago has traditionally been viewed as the most infamous villain in all of Shakespeare. The conniving ringmaster of the tragedy of Othello, Iago serves as a necessary catalyst for the action of the play. He takes such a principal role in the drama that the play has commonly been described as Othello’s tragedy, but Iago’s play. Scholars have disagreed, however , as to whether or not Iago can simply be described as an ingenious villain lacking all regard for morality. Many have seenRead MoreOthello Is Essentially an Noble Character, Flawed by Insecurity and a Nature That Is Naive and Unsophisticated1070 Words   |  5 PagesOthello is essentially an noble character, flawed by insecurity and a nature that is naive and unsophisticated. Looking at William Shakespeares Othello The Moor Of Venice, the central character, Othello is revered as the tragic hero. He is a character of high stature that is destroyed by his surroundings, his own actions, and his fate. His destruction is essentially precipitated by his own actions, as well as by the actions of the characters surrounding him. The tragedy of Othello is not aRead MoreReputation and Image in William Shakespeare ´s Othello862 Words   |  4 Pages Othello Explication In William Shakespeare’s Othello, unspoken fears of being an outsider and concerns about his public image contribute to the downfall of a tragic hero named Othello. Othello, a general in the Venetian army’s, final monologue reflects the importance of reputation and the conformity needed to fit his surroundings. He is seen as an outsider of the Venetian culture; he is frequently referred to as â€Å"the Moor† and is called an abundance of racial slurs by the Venice born natives.Read MoreTo What Extent Is Iago Responsible for Othellos Downfall1326 Words   |  6 PagesAS English Literature Othello Coursework: How far do you agree with Bradley’s view that Iago is wholly responsible for Othello’s downfall? A.C Bradley, a known literature critic, argues that it is in fact the machinations of the character Iago that is wholly responsible for the downfall of Othello. â€Å"..that these worthy people, who are so successful and popular and stupid, are mere puppets in his hands, but living puppets, who at the motion of his finger must contort themselves in agony, while

Homeland Security The United States And Law Enforcement

The purpose of this paper is to define and give as much detail information about Homeland Security in the United States and law enforcement and how they are integrated. I hope after reading this paper you will be well informed on the duties and responsibilities of these agencies. People have always lived in fear but with the help of these agencies we will no longer have to live in fear. I will try to give as much detail information as possible to help with any problems or situation that might come up. Homeland Security in the United States and law enforcement have extensive research skills and knowledge in serving and protecting citizens and other important groups and agencies. Homeland Security is a new agency that was created by the president to handle terrorist threats and to aid the country in an emergency situation. Since September 11th the threat level for terrorist attacks on America have increase over years. The Presidents of the United States vows to never let an attack h appen on American soil again that’s why Homeland security was created. According to the Homeland security act the mission statements is to prevent terrorist attacks within the United States, reduce America’s vulnerability to terrorism, and minimize the damage and recover from attacks that do occur is Homeland Security Actions. The Department of Homeland Security is responsible in making the nation safe and secure by protecting borders and transportation systems to prevent terrorist attacks. LawShow MoreRelatedThe Role Of Homeland Security From The United States Constitution1398 Words   |  6 PagesThe role of Homeland Security originated from the Founding Fathers, under the United States Constitution, that created a system and gave the primary role of homeland security to state and local governments (Oliver, 2007). 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Nam June Paik was born in Seoul, Korea on July 20, 1932 Essay Example For Students

Nam June Paik was born in Seoul, Korea on July 20, 1932 Essay Nam June Paik was born in Seoul, Korea on July 20, 1932. He was the fifth and youngest child of a textile merchant. In 1947, at the age of 14, he studied piano and composition with two of Koreas foremost composers. The family moved to Tokyo, Japan in 1950 to avoid the havoc of the Korean War. Paik studied music, history, art history, and philosophy at the University of Tokyo from 1953 to 1956. He did his graduate dissertation on Schoenberg. In 1956, he moved to Germany to pursue his interest in avant-garde music. He studied music history under Thrasybulos Georgiades at the University of Munich and composition under Wolfgang Fortner at the Hochschule fur Musik. He also attended classes under Karlheinz Stockhausen, Luigi Nono, David Tudor, and John Cage. Paik lived in Cologne for the next five years and then returned to Japan for a short time to conduct experiments with electromagnets and color TV sets. In 1964, Paik moved to New York and still resides there today. While he lived in Korea, Paik had become familiar with the work of Schoenberg. Paik was interested in Schoenberg above all others because of his radical compositions. They reflected the social atmosphere of Seoul at the time. In 1947, Paik had only one piece of Schoenbergs work. It took Paik two years to convince a record shop owner to let him listen to what was probably the only Schoenberg record in Korea. Paik had only two compositions by which to judge his guru. Then one day in Japan, in 1951, Paik heard a third piece on NHK Radio. Another of Paiks great influences was John Cage, whom he met in Germany. Meeting Cage, a student of Schoenberg, was a turning point in Paiks life. Paiks piece Zen for Film was definitely influenced by Cages 4 33, the silent piece. Cage was devoted to sounds, but Paik was devoted to objects, yet Cages influence is evident in all of Paiks work. Joseph Beuys, like Cage, played an important role in influencing the direction of Paiks video work. Paiks portraits of Beuys constitute a significant body of work. They are more than a homage to Beuys, they are an affirmation of video as a new sensorium that expands the fleeting image on the television. As Paiks education was furthered, he became a key in Fluxus art. In 1961, he met Fluxus founder George Maciunas, which began his participation in Fluxus concerts. The visual characteristics of Paiks concerts gained significance equal to that of the music with his one man show Exposition of Musicà ¢Ã¢â€š ¬Ã¢â‚¬ Electronic Television in 1963. It included the skull of an ox, 13 pianos, 13 television sets, a mannequin, and several sound producing objects. Upon his return to Japan in 1963, he found that he could manipulate the television screens with magnets. He began to conduct experiments with the help of an electronics engineer, Shuya Abe. These experiments were the groundwork for Participation TV, an active viewer piece. Abe also assisted Paik in the production of Robot K-456. In 1965, Paik bought one of the first Sony video recorders sold and began to create video art. Works such as Zen for Film and Global Groove were the results of Paiks newfound medium. In 1970, Paik and Abe invented a video synthesizer, which made it possible to manipulate colors, shapes, and movement sequences on videotapes and television programs. Paik has been given the title of Father of Video Art, as he was the first to use video and television as a viable medium. The Opera Sextronique was one of Paiks happenings with Charlotte Moorman, the cellist. It included Moorman wearing a battery powered bra with televisions covering her nipples, and the Young Penis Symphony, consisting ten young men sticking their penises through a paper curtain in time to the music. Opera Sextronique was one of Paiks attempts to integrate sex into his work. Beyonce Knowles - Most Influential Artist EssayHe has transformed television into a form of artistic expression particularly suited to our times. Paiks last public performance in 1997 at the Anthology Film Archive in New York City was his piece Coyote 3. The performance starts with Paik seated at a piano with singer, Dina Emerson, and dancer, Simone Forti, standing beside him. Emerson steps up to the microphone and begins to imitate the sound of alarms and sirens, while a video projection of Beuys growling and speaking is played. Paik accompanies the video on the piano, playing broken melodies, sometimes singing along. These fragments of music are as diverse as Paiks influences. All the while Simone Forti is dancing and singing. At the end Paik turns the piano over until it breaks apart. The lights go out and a laser beam flashed across the stage while the three performers smoke cigarettes. There is a lot happening on stage and yet very little, normal motions take on other significance, time has become fleeting and geologic. The irrational is given as much importance as the rational, says Jonathan Huffman, Paik continues to push for new territories, continuing to redefine situations and new technologies. Paik has made the world of television and video art his own. His broad array of work encompasses several disciplines from composing to satellite art. Paiks varied interests have helped make his art the first of its kind. Paik said of his work, My experimental TV is not always interesting, but not always uninteresting, like nature, which is beautiful, not because it changes beautifully, but because it changes. Paik is a visionary artist, he doesnt confine himself to the standards of the art world, but goes outside of them to find new applications of art to technology. Television has become a humanistic tool in the hands of this artist. His works are always about the sensual aspects of visual response and the joys of watching an image that will disappear. Paiks realization of the limitless potential that lay within the average television set and his sense of what he could do with it has gained him the distinction as the Father of Video Art.

The Science and Religion Connection free essay sample

This paper discusses the role of religion in science since the time of Newton. The author discusses their roles in society over the past few hundred years and how they are deeply entwined, even while holding opposing views. We will write a custom essay sample on The Science and Religion Connection or any similar topic specifically for you Do Not WasteYour Time HIRE WRITER Only 13.90 / page This paper looks at the history of science and how it links with religious beliefs. The author discusses the works of Sir Isaac Newton, Descartes, Galileo, Kepler, Darwin, Einstein, how their discoveries were looked upon by religious institutions and by society, starting during the early Renaissance up until modern times. The gap between science and religion is one that has been claimed for many years. Often times, this misconception of the relationship of science and religion is created by subjective views of history. While it does hold some historical accuracy, it is not necessarily the whole truth. In actuality, the roles of science and religion in society over the past few hundred years have been proven deeply entwined, even when holding opposing views.